Today I’d like to highlight some of my favorite aspects of the Finale Copyist font. Designed by Mark Adler to fill the gap created by the lack of lowercase letters in other “handwritten” fonts, Finale Copyist also includes many hidden treasures.
Robert Piéchaud and November 2.0
Photo by Alejandro Guerrero
Parisian Robert Piéchaud really is a Renaissance man. Among his many and varied interests he’s a composer, a performer, and a veteran Finale software engineer, having created Human Playback, FinaleScript, Score Merger, the Medieval plug-in, and more.
Figured Bass and the Finale Numerics Font
Transcribing a Bach chorale or creating examples of harmonic analysis for students? This blog’s for you.
Finale 2012 and Unicode – in Plain English!
Used by permission from The Church of Jesus Christ of Latter-day Saints
If you create music in languages other than English, you probably have a good understanding of what Finale 2012’s Unicode font support offers.
A Brief History of Finale Fonts
Petrucci, Engraver, and Maestro, three of the many music fonts included with Finale.
Most of us have changed the look of a word processing document by switching text fonts, say from Times to Arial.