
[Editor’s Note: After reading my interview with Steven Alper about the use of Finale on Broadway, another long-time Finale user, Peter Miller, described to me some of his experiences on Broadway in Finale’s early days.

[Editor’s Note: After reading my interview with Steven Alper about the use of Finale on Broadway, another long-time Finale user, Peter Miller, described to me some of his experiences on Broadway in Finale’s early days.
I recently received an email from a friend I haven’t seen in a long time. Most of the email took the form of a question:
“If I have a score with SATB voices on different staves, what’s the best way to merge the S/A and the T/B into one staff each?”
Was I disappointed my friend didn’t inquire about my thoughts and feelings first?

Today I’d like to start a discussion on writing chords in jazz or contemporary music. In a way, chord charts are their own language, filled with hundreds of different systems and dialects.

Today MakeMusic announced that it is transferring development of its industry-standard MusicXML format to the new Music Notation Community Group at the World Wide Web Consortium (W3C).

In a recent Finale Blog post we met composer, author, and orchestrator Steven M. Alper, a long-time user and friend of Finale.