[Editor’s Note: After reading my interview with Steven Alper about the use of Finale on Broadway, another long-time Finale user, Peter Miller, described to me some of his experiences on Broadway in Finale’s early days.
[Editor’s Note: After reading my interview with Steven Alper about the use of Finale on Broadway, another long-time Finale user, Peter Miller, described to me some of his experiences on Broadway in Finale’s early days.
The above, my esteemed blog readers, is Finale 1.0, from 1988. Folks trying to sell other music notation software would like you to remember Finale 1.0 when comparing benefits with their 2011 offerings.
In past blogs I have discussed Finale’s beginnings – including Finale’s first name, the first time I ever saw the HyperScribefeature demonstrated, and more.
When my compatriots at MakeMusic asked if I would write for this blog, they added their hope that I would be writing from “my voice.” In that spirit, I begin my first blog – the same week that my friend Bob Grifa begins his first blog for SmartMusic.