“I consider Finale to be indispensable in my compositional process.”
Jennifer Higdon // Pulitzer Prize and Grammy Award-winning composer
“I love that Finale gives you the ability to adjust any facet of your music…”
Alex Lacamoire // musical director and orchestrator of Hamilton
“In addition to being incredibly powerful and flexible from a notation standpoint, I appreciate Finale’s playback quality, which I find really useful in checking my orchestrations.”
Justin Hurwitz // composer behind the hit modern musical La La Land
“Finale has always been the gold standard…”
Peter Erskine // Grammy Award-winning drummer and composer
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“Only Finale offers the flexibility and power my work requires.”
Rick Giovinazzo // orchestrator on 150+ major motion pictures
“We use Finale because it’s the best. Enough said.”
Wynton Marsalis // musician, composer, bandleader, Pulitzer Prize and Grammy Award winner
Photo credit: Joe Martinez for Jazz at Lincoln Center
“Finale worked extraordinarily well in allowing the creation of unorthodox notational elements.”
Steve Vai // guitar virtuoso and composer
“Finale gives me all the flexibility I need to do notation for even my most ridiculous arrangements.”
“Weird Al” Yankovic // Grammy Award-winning singer-songwriter, parodist, producer
“Taken as a whole, the iterative improvements in this upgrade make Finale v26 the best version of Finale yet.”
Philip Rothman // editor and principal contributor, scoringnotes.com