Jennifer Higdon

“I consider Finale to be indispensable in my compositional process.”

Jennifer Higdon // Pulitzer Prize and Grammy Award-winning composer

Alex Lacamoire

“I love that Finale gives you the ability to adjust any facet of your music…”

Alex Lacamoire // musical director and orchestrator of Hamilton

Justin Hurwitz

“In addition to being incredibly powerful and flexible from a notation standpoint, I appreciate Finale’s playback quality, which I find really useful in checking my orchestrations.”

Justin Hurwitz // composer behind the hit modern musical La La Land

Peter Erskine

“Finale has always been the gold standard…”

Peter Erskine // Grammy Award-winning drummer and composer

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Rick Giovinazzo

“Only Finale offers the flexibility and power my work requires.”

Rick Giovinazzo // orchestrator on 150+ major motion pictures

Wynton Marsalis

“We use Finale because it’s the best. Enough said.”

Wynton Marsalis // musician, composer, bandleader, Pulitzer Prize and Grammy Award winner

Photo credit: Joe Martinez for Jazz at Lincoln Center

Steve Vai

“Finale worked extraordinarily well in allowing the creation of unorthodox notational elements.”

Steve Vai // guitar virtuoso and composer

Weird Al Yankovic

“Finale gives me all the flexibility I need to do notation for even my most ridiculous arrangements.”

“Weird Al” Yankovic // Grammy Award-winning singer-songwriter, parodist, producer

Philip Rothman

“Taken as a whole, the iterative improvements in this upgrade make Finale v26 the best version of Finale yet.”

Philip Rothman // editor and principal contributor,