Smart Shape Placement

Click the Smart Shape Tool $image\Smart_Shape_Tool.gif$ . Choose Smart Shape Placement from the Smart Shape menu.

Settings in the Smart Shape Placement dialog box let you control with precision how slurs, bends and glissandos attach to notes or noteheads in a score, by defining their position relative to the top center or bottom center of a note or the tip of a stem. This guarantees exact positioning and consistent placement by Finale that would be time-consuming and difficult to achieve if you had to manually adjust each Smart Shapes yourself. Any changes you make to a particular type of Smart Shapes in the Smart Shape Placement dialog box will affect the corresponding end points of similar Smart Shapes in the score, except for any end points that have been manually adjusted.

The horizontal and vertical positions of a slur or bend end are measured from a reference point that is different for slurs attached to noteheads and those attached to stems.

For slurs or bends attached to noteheads, the reference point is the top center or bottom center of the notehead. When the horizontal and vertical offsets are zero, the slur or bend end will touch the reference point on the notehead as illustrated below.

For slurs or bends attached to stems, the reference point is the end of the stem. When the horizontal and vertical offsets are zero, the slur or bend end will touch the end of the stem.

Important: Remember that whenever you create a slur, bend, slide or glissando, Finale uses the current Smart Shape Placement settings. Changes to these settings also apply to corresponding end points that haven’t been manually adjusted in existing Smart Shapes. However, end points that you’ve manually adjusted are never affected by Smart Shape Placement settings.

Finale makes intelligent decisions about a slur or bend’s direction and end position based on the stem positions of notes, as well as conditions of voicing and beaming. The slurs in the list box represent the rules that Finale automatically follows.

Although there are a limited number of examples in the list box, they cover most of the contexts for controlling how note-attached slurs will connect to noteheads and/or stems. In the first slur model shown in the list box above, you have control over two separate connections, even though they appear in the same example.

The examples shown in the list box are meant to be general; the above example controls all similar situations of normal stem-down notes, not merely notes that begin and end on the same pitch.

When you want to change how slurs and bends are attached in specific contexts, select the specific model and edit its Start Point and End Point. You can edit the settings by dragging the slur ends in the display area (or by typing new values in the text boxes).

Important: These changes are global. In other words, changes to the Smart Shape Placement settings affect all the existing and yet-to-be-entered slurs and bends in your score, unless you’ve manually adjusted the end points of a particular slur or bend; Finale won’t change any slur or bend you've deliberately edited. Note that any settings that refer to up-stem or down-stem layers also apply to Voice 1 and Voice 2 notes, as well as stems frozen using the flip stems utility, Special Tools or Speedy Entry tools.

The list box slur models (contexts) are shown below, with an explanation of how each slur connects to its start and end notes (Remember that since bends are just a special case of a slur, they are affected by these settings as well):

Starting Connection

Context

Ending Connection

Over notehead.

Applies to a down-stem note at the beginning of a down-stem or mixed stem context.

Down-Stem Notes

Over notehead.

Applies to a down-stem note at the end of a down-stem or mixed stem context.

Under notehead.

Applies to a note at the beginning of an up-stem context.

Up-Stem Notes

Under notehead.

Applies to a note at the end of an upstem context.

Over stem.

Applies to an up-stem note at the beginning of a mixed stem context.

Mixed Stem Notes

Over stem.

Applies to an up-stem note at the end of a mixed-stem context.

Over stem.

Applies to a note at the beginning of an up-stem layer context.

Up-Stem Layer

Over stem.

Applies to a note at the end of an up-stem layer context.

Under stem.

Applies to a note at the beginning of a down-stem layer context.

Down-Stem Layer

Under stem.

Applies to a note at the end of a down-stem layer context.

Over flagged stem.

Applies to a flagged stem at the beginning of a mixed-stem context.

Mixed-Stem Notes With Flag

Can’t be set for this style.

(Uses the connection from the over mixed-stem notes context.)

Over flagged stem.

Applies to a flagged stem at the beginning of an up-stem layer context.

Up-Stem Layer With Flag

Can’t be set for this style.

(Uses the connection from the up-stem layer context.)

Under flagged stem.

Applies to a flagged stem at the beginning of a down-stem layer context.

Down-Stem Layer With Flag

Can’t be set for this style.

(Uses the connection from the down-stem layer context.)

Over stem.

Applies to an up-stem note in a beamed group, unless it’s the last note in the group (so it’s treated as a stemmed note). Context may be mixed-stems or an up-stem layer

Over Beams

Over stem.

Applies to an up-stem note in a beamed group, unless it’s the first note in the group. Context may be mixed-stem or an up-stem layer.

Under stem.

Applies to a down-stem note in a beamed group, unless it’s the last note in the group (so it’s treated as a stemmed note). Context is a down-stem layer.

Under Beams

Under stem.

Applies to a down-stem note in a beamed group, unless it’s the first note in the group. Context is a down-stem layer.

Under notehead.

Applies to an up-stem grace note that precedes a down-stem principal note.

Mixed-Stem Grace Note (down-stem principal)

Under stem side of notehead.

Applies to a down-stem principal note that follows an up-stem grace note.

Over stem.

Applies to a grace note in an up-stem layer.

Grace Note in Up-Stem Layer

Over stem.

Applies to a principal note in an up-stem layer.

Under stem.

Applies to a grace note in a down-stem layer.

Grace Note in Down-Stem Layer

Under stem.

Applies to a principal note in a down-stem layer.

Over fret number.

Applies to fret numbers in a TAB staff.

Fret numbers in a TAB staff

Over fret number.

Applies to fret numbers in a TAB staff.

Under fret numbers with stems.

Applies to fret numbers with stems in a TAB staff.

Fret numbers in a TAB staff with stems

Under fret numbers with stems.

Applies to fret numbers with stems in a TAB staff.

As you’d expect, there are exceptions to these rules, and these exceptions allow you more flexibility. If you freeze note stems (for example, when you’re working with two layers or voices or using the Selection Tool, Finale may automatically flip the slur. You can also override individual slur or bend directions by using the Direction submenu in the Smart Shape menu. Collision avoidance in Engraver slurs can also override Smart Slur Placement settings.

Finale makes intelligent decisions about a tab slides’s direction and end position based on the positions of notes, as well as the pitch direction. The slides in the list box represent the rules that Finale automatically follows.

When you want to change how tab slides are attached in specific contexts, select the model from the list box and edit its Start Point and End Point. You can edit the settings by dragging the slide ends in the display area (or by typing new values in the text boxes).

Important: These changes are global. In other words, changes to the Slide Placement settings affect all the existing and yet-to-be-entered slides in your score, unless you’ve manually adjusted the end points of a particular slide; Finale won’t change any slide you've deliberately edited. The slide list box models are shown below, with an explanation of how each slide connects to its start and end notes:

Starting Connection

Context

Ending Connection

Notehead on line.

Applies to a note on a line where the pitch is increasing to the next note on a different staff line.

Different V, Lines, Increasing Pitch

Notehead on line.

Applies to a note on a line where the pitch is increasing from the previous note on a different staff line.

Notehead on space.

Applies to a note on a space where the pitch is increasing to the next note on a different staff space.

Different V, Spaces, Increasing Pitch

Notehead on space.

Applies to a note on a space where the pitch is increasing from the previous note on a different staff space.

Notehead on line.

Applies to a note on a line where the pitch is decreasing to the next note on a different staff line.

Different V, Lines, Decreasing Pitch

Notehead on line.

Applies to a note on a line where the pitch is decreasing from the previous note on a different staff line.

Notehead on space.

Applies to a note on a space where the pitch is decreasing to the next note on a different staff space.

Different V, Spaces, Decreasing Pitch

Notehead on space.

Applies to a note on a space where the pitch is decreasing from the previous note on a different staff space.

Notehead on line.

Applies to a note on a line where the pitch is increasing to the next note on the same staff line.

Same V, Lines, Increasing Pitch

Notehead on line.

Applies to a note on a line where the pitch is increasing from the previous note on the same staff line.

Notehead on space.

Applies to a note on a space where the pitch is increasing to the next note on the same staff space.

Same V, Spaces, Increasing Pitch

Notehead on space.

Applies to a note on a space where the pitch is increasing from the previous note on the same staff space.

Notehead on line.

Applies to a note on a line where the pitch is decreasing to the next note on the same staff line.

Same V, Lines, Decreasing Pitch

Notehead on line.

Applies to a note on a line where the pitch is decreasing from the previous note on the same staff line.

Notehead on space.

Applies to a note on a space where the pitch is decreasing to the next note on the same staff space.

Same V, Spaces, Decreasing Pitch

Notehead on space.

Applies to a note on a space where the pitch is decreasing from the previous note on the same staff space.

Notehead on a space or line.

Applies to a note on a space or line where the pitch is the same to the next note on the same staff space or line.

Same V, Same Pitch

Notehead on a space or line.

Applies to a note on a space or line where the pitch is the same from the previous note on the same staff space or line.

Important: These changes are global. In other words, changes to the Glissando Placement settings affect all the existing and yet-to-be-entered glissandos in your score, unless you’ve manually adjusted the end points of a particular glissando; Finale won’t change any glissando you've deliberately edited.

Active display area. Use the Active display area to alter the Smart Shape model selected in the list box. Simply drag the Smart Shape’s end points to adjust where they’re placed relative to the notehead or stem. Note that the values for the Start and End Points are updated as you drag. Changes you make to the Smart Shape’s end points will apply to all Smart Shapes of this type that you create. These changes will also apply to end points that haven’t been manually adjusted in all similar Smart Shapes in the score.

Starting Connection

Context

Ending Connection

Bend.

Applies to a fret number on any line but the top.